Industry News

On April 1, Hispanic consumer-focused Entravision Communications disclosed to the SEC that it would not be able to file its annual report in a timely manner. This triggered a warning from the New York Stock Exchange.

All is better now, as far as NYSE compliance is concerned. But, Entravision now has a potential headache on its hands regarding the entity that is to blame for the 10-K filing delay.

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Major League Baseball and SiriusXM have expanded their agreement to include additional streaming rights starting with the 2021 MLB season.

As such, for the first time SiriusXM subscribers with a streaming-only subscription have access to live play-by-play broadcasts of every MLB game as they listen on the SiriusXM app and on connected devices and speakers in their home.

The SiriusXM app offers 30 play-by-play channels dedicated to streaming the official radio broadcasts of every MLB team, giving fans the choice between the home and visiting team announcers for every game, all season long.

The 30 MLB play-by-play channels are also available on vehicles equipped with next-generation SiriusXM with 360L radios.

SiriusXM satellite subscribers continue to get access to every MLB game on both their SiriusXM radios and on the SiriusXM app.  Certain subscriptions are required.

The new agreement also includes a multi-year extension of SiriusXM’s rights to broadcast every MLB game.

In related news, starting this month SiriusXM and the Negro Leagues Baseball Museum will present an exclusive new podcast series, Black Diamonds. Hosted by museum president and historian Bob Kendrick, the podcast will showcase the history of the Negro Leagues, highlighting the players, people and events that shaped them, as well as spotlighting the leagues’ achievements and innovations during a time of segregation and inequality.

Black Diamonds, a SiriusXM original podcast, will debut on MLB’s Jackie Robinson Day (April 15).  The 20-episode series can be heard on the SiriusXM app, Pandora, Stitcher and other podcast platforms.

Fraunhofer and Sinclair will work together to integrate Digital Radio Mondiale into the ATSC 3.0 digital TV platform.

Their agreement will help advance Sinclair’s goal of incorporating audio services into ATSC 3.0 and its MarkONE mobile phone. The organizations said their ultimate aim is “the adoption of both standards worldwide for the benefit of broadcasters and listeners alike.”

Fraunhofer IIS is familiar in radio circles as developer of audio codecs including xHE-AAC. Sinclair Broadcast Group is a media company and major proponent of ATSC 3.0. The organizations said they are “joining forces to bring the best possible digital radio experience based on DRM to users of the ATSC 3.0 digital TV platform.”

Using digital TV to disseminate radio in new ways is an idea that Sinclair is already exploring in Seattle, promoting it as a new way to combine internet and over-the-air audio.

This week’s announcement was made by Alexander Zink, senior business development manager for broadcast applications at Fraunhofer IIS, and Mark Aitken, SVP of Sinclair Broadcast Group and the president of ONE Media 3.0.

Zink pointed to the rollout of ATSC 3.0 in South Korea and the United States as evidence of its success, and said DRM “is adopted in a steadily growing number of countries all over the world.” DRM is used for medium-wave digital broadcasting in India and is competing to provide FM services there.

[Related: “Digital Radio Mondiale in Focus in India”]

Sinclair and Fraunhofer IIS plan a demonstration of transmission of DRM-based services over ATSC 3.0. “This joint project is expected to open the door to close collaboration between the respective standard bodies, the ultimate goal being the adoption of both standards worldwide for the benefit of broadcasters and listeners alike.”

Digital Radio Mondiale is a digital radio platform that uses the xHE-AAC codec and Journaline on-demand information service.

The collaboration of Sinclair and Fraunhofer IIS aims at establishing the seamless transport of DRM-based services with all their advanced digital radio features on the ATSC 3.0 TV platform,” Fraunhofer and Sinclair said in a press release.

“This allows established DRM broadcasters to create the DRM content once and then distribute it simultaneously via dedicated digital AM/FM transmissions and on the digital TV platform.” It said listeners get a “seamless and full-featured digital radio experience across all broadcast platforms” using any reception device such as radio and TV sets, mobile phones and car receivers.

[Related: “Why Should Radio Care About ATSC 3.0?”]

The post Radio+TV: ATSC 3.0 to Incorporate DRM Support appeared first on Radio World.

Nautel has selected the individual who will work directly with its regional sales managers serving key radio station accounts across the U.S.

He’ll be based in Cincinnati.

Taking the job as Business Development Manager, working with the USA Broadcast team, is Charles Sotto.

He joins Nautel after most recently serving as South East Regional sales director for GatesAir, focusing on Radio and TV transmitter equipment sales.

Sotto also spent several years with Harris in the early 2000s as National Accounts Manager for Broadcast Systems and Special Markets and had previously worked with Sony as a Major Account Manager, where he was involved in large-scale and technically intricate projects including the launch of DirecTV.

CP Communications, which has gained a reputation for products enabling live event productions, is rolling out a remote production and streaming platform it says was built specifically for modern live sports and news production challenges.

The release of CamSTREAM SRT comes as CP continues to expand its Red House Streaming (RHS) CamSTREAM line to meet changing REMI production requirements.

Like previous models, CamSTREAM SRT provides content creators with a PTZ camera and tripod, video encoder, and return monitor to remotely shoot, record and stream live content.

An internet connection is required to stream acquired contact to a studio or the web.

This is the first RHS CamSTREAM system to leverage the Secure Reliable Transport (SRT) open-source video transport protocol, developed and pioneered by Haivision, which optimizes streaming performance.

CamSTREAM SRT is also the first RHS CamSTREAM system to integrate Haivision’s Makito X2 encoder, which supports ultra-low latency streams and establishes a secure VPN tunnel to and from the studio over a local area network (LAN).

When paired with a Haivision Makito X2 decoder, users have return video to the onboard 10-inch monitor along with IFB audio. The Makito X2 encoder can be swapped for a Mobile Viewpoint Agile Airlink bonded cellular encoding solution where LAN connections are unavailable.

CP Communications is a North American distributor for both Haivision and Mobile Viewpoint products.

CamSTREAM SRT is also offering new options for RHS CamSTREAM customers, including options for remote teleprompting and DMX lighting control. The latter communicates with cloud-based DMX control software to turn lights on and off, change color temperature and adjust brightness, among other settings. All DMX control is enabled over IP between the studio and the remote production site using the same secure VPN tunnel.

A maker of a software platform for digital media measurement, data and analytics has announced the appointment of a new Chief Strategy Officer.

In his new role at DoubleVerify, Doug Campbell will be responsible for global strategy and corporate development.

“I’m excited to add Doug to our outstanding senior leadership team,” said DoubleVerify CEO Mark Zagorski. “From Magnite to Nielsen, he has demonstrated a track record of success and achievement, and brings exceptional experience and knowledge to the Chief Strategy Officer role. I look forward to Doug’s leadership as we continue to build momentum, expand globally and deliver on our mission to build a stronger, safer and more secure digital advertising ecosystem.”

Campbell has more than two decades of experience successfully growing public and private companies in the arenas of advertising technology, connected TV (CTV) and over-the-top (OTT) video, digital measurement, data analytics, and software-as-a-service (SaaS).

Prior to joining DV, he was Chief Strategy Officer at Telaria, where he oversaw the successful merger with Rubicon Project and the acquisition of SpotX to form Magnite – a global, independent sell-side platform.

Previously, Campbell was Chief Operating Officer at eXelate, where he led the sale of the company to Nielsen and went on to serve as Nielsen’s Senior Vice President of Global Strategy and Corporate Development.

KAISERSLAUTERN, GERMANY — Converter manufacturer Ferrofish has expanded its family of Pulse16 converters to include the new Pulse16 MX +24dBu and Pulse16 DX +24dBu.

These new Pulse16 AD/DA converters increase the maximum input and output level from +20dBu to +24dBu — an important upgrade for American broadcasters requiring proper headroom, while providing MADI and ADAT connectivity with the MX model and MADI, ADAT and Dante connectivity with the DX model.

Pulse16 MX +24dBu
In addition to increasing the maximum input and output levels from +20dBu to +24dBu — which complies with the American SMPTE guidelines calling for +24dBu levels for the analog portion to keep all analog and digital levels uniform — the new Pulse16 MX +24dBu model features seamless ADAT and MADI integration. As two of the most widely used digital interfaces available, this addition will allow broadcasters to transmit an audio signal over a simple optical MADI cable pair, making high-end multi-channel recording a non-issue. Fanless and compact, the Pulse16 MX takes up 1HU space in a rack, making for the ultimate choice when high-end conversion is needed.

Pulse16 DX +24dBu
Similar to the Pulse16 MX +24dBu, the DX model features increased input/output levels and MADI and ADAT connectivity but brings Dante connectivity into the mix — opening up a new dimension of flexibility. Fanless and compact, the 1HU device is the ultimate audio problem solver for broadcasters, wherever high-end, multi-format conversion is needed in the Dante network.

High-Performance Ready
The Pulse16 is a high-density converter providing 16 x 16 balanced analog TRS I/O and is relied on by some of the biggest names in recording. Thanks to its Cirrus Logic converter chips, the Pulse16 operates with an active digital jitter elimination, which compensates shifts or jitters in the audio signal and provides audio engineers with the highest-quality audio possible. The Pulse16 family now includes the Pulse16 DX, Pulse16 MX and the original Pulse16.

In addition to the new Pulse16 MX +24dBu and Pulse16 DX +24dBu models, Ferrofish also recently announced a new Pulse16 MX CV and Pulse16 DX CV, perfect for users working with modular synths using CV/Gate technology.

RBR+TVBR PRODUCTS AND SERVICES

Seeking a bi-directional encoder/decoder appliance for remote production (REMI) workflows?

Look no further than Montréal-based Matrox Video, which has brought to market its new Monarch EDGE S1.

“Featuring simultaneous encode/decode support, Monarch EDGE S1 allows broadcasters to deliver secure, high-quality, low-latency program feeds from the studio to multi-camera production crews, talent, and guests in any remote location,” the company says. “Monarch EDGE S1’s return feed functionality overcomes the two-way communication challenges in REMI and multi-site workflows by enabling smooth and natural interaction between remote and in-studio production personnel for broadcast-quality productions.”

Equipped with a 3G-SDI input and output, the EDGE S1 encode/decode appliance can encode a studio-produced program feed for transport over private or public internet connections to Monarch EDGE S1-equipped sites to decode and view the return feed.

Monarch EDGE S1 provides latencies as low as 100 ms. The appliance includes MPEG-2 TS, SRT, and RTSP streaming protocol support for secure transmission across various networks, along with tally and talkback channels to facilitate communication between camera operators and in-studio personnel.

Broadcasters deploying Monarch EDGE E4 quad-HD encoder and Monarch EDGE D4 quad-HD decoder appliances for multi-camera REMI workflows can integrate Monarch EDGE S1-based return feeds allowing camera operators and in-studio personnel to communicate accordingly during a live event and help deliver the best production possible.

Monarch EDGE S1 is also well-suited for single-and multi-site remote contribution workflows. Remote contributors located across various geographical regions can simultaneously send a high-quality camera feed while receiving a return feed.

“The broadcast industry has seen a rise in the adoption of remote production technologies for live sporting and entertainment events, as well as live broadcasts, news, and interviews,” said Daniel Maloney, technical marketing manager at Matrox Video. “Matrox Monarch EDGE S1 is designed to further enhance these multi-camera REMI and multi-site contribution workflows by bridging the communication gap between the in-the-field and in-studio personnel. This two-way video platform replicates in-person interactions with real-time communications. Broadcasters and live-event producers will appreciate Monarch EDGE S1’s production value that will allow for the delivery of more efficient, cost-effective, and engaging live productions.”

The Matrox Monarch EDGE S1 encoder/decoder appliance (part number: MDG2/ED10/I) is now available. For more information or to request a demo, contact Matrox.

Veritone has extended its agreement with the audio media content creation and distribution company formerly known as Entercom.

The continuation of the agreement arms Audacy’s 235+ stations nationwide with the ability “to seamlessly ingest, index, organize and analyze its media” through the use of Veritone Discovery, an AI-powered content search and analysis application.

Using Veritone Discovery, Audacy can provide in-depth visibility and analysis into content performance to deliver greater results to clients and partners, Veritone says.

“As Audacy continues into its next phase of growth as an organization, recent upgrades to Veritone Discovery will match Audacy’s momentum by providing Earned Media monitoring features, expanded audience data analytics and updated reporting customization features with AI engines that will continue to learn and scale,” Veritone adds.

Charlyn Stanberry has been hired on to join the lobbying team at the National Association of Broadcasters.

She will be vice president of government relations and report to Shawn Donilon, executive vice president of government relations.

Stanberry is former chief of staff for Rep. Yvette Clarke, a Democratic congresswoman from New York, for whom she also worked as legislative director and counsel.

[Read: LeGeyt Is Experienced D.C. Lobbyist]

Past roles also include VP of external affairs for Net Communications; counsel for the Multicultural Media, Telecom and Internet Council; and professional staff member for the Congressional Black Caucus. She was a regional voter protection director in Florida for the Hillary Clinton campaign in 2016.

She also is an adjunct professor at the University of the District of Columbia where she teaches Foundation Civics and Ethics & Values.

In the announcement, NAB President/CEO Gordon Smith said Stanberry “has excelled on Capitol Hill, in the private sector and in the legal community, and commands expert knowledge of the legislative process.”

Last week, NAB announced that Smith plans to retire from the association at the end of this year, to be succeeded by Curtis LeGeyt, a veteran of that same lobbying department.

The post Stanberry Joins NAB Lobbying Team appeared first on Radio World.