Observation: ‘A Big Case For Radio in the Big Apple’
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NEW YORK — Never More Than 2 Minutes of Commercials at a Time.
That was the pledge presented to listeners of the Alternative music station serving the nation’s largest market, implemented in August 2019 — well before COVID-19 and the pandemic led to advertiser cutbacks. And, it was a sign that Audacy Inc., was prepared to address the No. 1 listener complaint at its “ALT”-branded stations: the length of its commercial breaks.
Now, nearly 28 months after the “2 Minute Promise” even got its own hashtag, Audacy has abandoned it. The reason? Rising advertiser demand.
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With Black Friday fast approaching, the holiday vibe is in full effect. For one retailer, that means dominating its ad category on both broadcast and cable television, the latest Media Monitors Spot Ten reports show.
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By Steve Newberry
Special to Streamline Publishing
Forecast 2022 was a great event. Seeing friends in person, gathering to hear industry influencers, and sharing ideas with colleagues felt wonderful! It was a slice of normalcy to the broadcast community that we’ve all missed since March of 2020.
While the social aspect of Forecast 2022 felt familiar, the business challenges facing radio and television broadcasters are far from normal. Digital revenue, D.C. policy battles with giant tech companies, the need for diversity and countless other topics are all impacting how we chart our future. In our previous “normal world”, these were seen as daunting obstacles for broadcasting’s future.
For far too long, our industry looked toward the inevitable changes to the media landscape as a looming threat. I’m criticizing myself as much as anyone. I loved how radio worked. I loved the margins. I felt like I had it figured out, and I really didn’t want to have to deal with a long list of new issues like podcasting, streaming, apps, digital sales, competition from the tech companies and…well, the list seemed to go on and on.
However, Forecast 2022 felt like a pivotal point in how broadcasting is approaching the future. Instead of frustration, objection to or denial of the challenges ahead, I heard optimism, strategic thought, and the embracing of new opportunities.
It seems, at long last, broadcasting is embracing the “new normal.”
There was excitement and energy around merging new business and distribution opportunities with our long-established and trusted brands. A realization broadcasters can do more than ever before. A fresh approach to taking traditional over-the-air signals, enhancing our familiar and trusted broadcast products with new delivery paths, and creating rich content. An approach that both deepens the relationships with our listeners/viewers while also creating exciting new revenue opportunities.
Panel after panel presented this new perspective throughout the day. Discussions about business growth, station valuations, diversity and revenue trends ALL had the same general theme. Radio and television broadcasting are strong industries with tremendous legacies of service. However, by embracing a different way of running our businesses, creating compelling content, and serving our communities, the future path is filled with opportunity for enormous reward.
It was great to be in-person at Forecast 2022 with so many colleagues. It felt terrific. But in reflection, what felt best about this year’s event was the sense of how those in the room have pivoted from defending threats to embracing opportunities. Broadcasting’s world is not back to “normal.” Instead, it appears broadcasters are now embracing a “new normal” with enthusiasm and a sense of opportunity.
I’m looking forward to Forecast 2023 and I’m really looking forward to broadcasting’s exciting new future. It will have its challenges, but the opportunities are endless!
Steve Newberry is CEO of Quu Inc. He was previously Executive Vice-President, Industry Affairs and Strategic Planning for the National Association of Broadcasters. He can be reached at snewberry@radioky.com
It’s a Class C 1kw AM radio station with an FM translator serving as the ESPN Radio affiliate for East Texas’ key Nielsen Audio-rated market.
Now, the facilities are being sold to a new owner, pending FCC approval of the deal.
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NEW YORK — Measurement of national television “in a more precise manner” is the promise Nielsen seeks to deliver by enhancing its Nielsen Individual Commercial Metrics.
This, the nation’s dominant audience measurement and consumer analytics company believes, will help transition audience estimates to a methodology based on individual ads — and not commercial minutes.
What does this mean for broadcast media AEs and sales pros?
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There are two huge users of Spot Radio that stand out, once again, in the latest Media Monitors Spot Ten Radio report.
For the week ending November 21, The Home Depot is the big No. 1 by play count, while job search portal Indeed is a strong No. 2.
Meanwhile, a new effort from cleaning tool Swiffer puts the product in the Spot Ten, as does a new effort from Wendy’s.
A TV channel solely devoted to environmental content has hired a new leadership team composed of industry veterans from Discovery, RIDE TV, Animal Planet and TLC.
The stated mission: to turn EarthxTV into “a globally recognized entertainment network catering to audiences increasingly attuned to issues affecting our planet.”
“We have an ambitious plan to expand development and distribution of EarthxTV into a powerful global entertainment and educational network, and I’m thrilled to welcome a truly talented leadership team to help us achieve our goals,” says Michael Fletcher, Co-CEO of EarthX.
Since its launch, EarthxTV now delivers hundreds of hours of programming with plans to aggressively increase its library of acquired and original series, films, and documentaries in 2022. The network is currently available at Earthx.tv, on iOS, and Android phones and tablets and through a growing list of OTT partners, including Roku, Apple TV, Firestick, and Google Play.
EarthX expects to announce traditional and digital 24×7 linear distribution deals soon. Helping its growth are the following new employees:
WASHINGTON, D.C. — With the late Friday release of a Public Notice, the Office of Economics and Analytics (OEA) and the Media Bureau seek comment on the procedures to be used for Auction 112, an auction of construction permits for full-power television stations.
The FCC expects the bidding for Auction 112 to begin in June 2022.
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MESA, ARIZ. — Scott Sutherland was recently promoted to the corporate team as EVP of Regional Media Operations for Bonneville International Corp.
Now, his successor as SVP/Market Manager of the company’s Phoenix stations has been named.
Earning the role is Ryan Hatch, who has been the stations’ Vice President of Programming since 2011. He has been with Bonneville since November 2006, where he launched “Sports 620” on KTAR-AM, with the Talk station’s transition to 92.3 MHz, replacing KKFR-FM.
Hatch was previously Operations Manager of Bonneville’s Seattle stations.
“I’m humbled, honored and thrilled for the opportunity to lead the most talented team in local media in a city that my family loves and calls home,” Hatch said. “I look forward to continuing to serve our dynamic and growing community, our advertisers, team broadcast partners and the audiences of KTAR News, Arizona Sports and ESPN Phoenix.”
Sutherland now oversees Bonneville’s Denver, Phoenix, Sacramento, San Francisco and Seattle markets.
The Women’s Media Center has released its 2021 report on the status of women in U.S. media — a compilation of research that shows the persistent challenges and intermittent progress for women in American media.
WMC’s “The Status of Women in the U.S. Media 2021” report draws data from 110 studies that together show the standing of women across all media, including legacy and digital news platforms, film, television, radio, technology, literature, and more.
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NEW YORK — After coming off a strong September, October 2021 all-media investment volume reached a new year-to-date high, leading into the holiday push. That’s according to Standard Media Index‘s U.S. ad tracker.
How does radio, in particular, rate compared to other media?
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MIAMI — With captioning and metadata company Digital Nirvana confirming on Friday that it is attending IBC2021, even as companies including Viaccess-Orca have withdrawn from the affair, the National Association of Television Program Executives (NATPE) has made it clear that it is moving full steam ahead with its NATPE Miami 2022 event — a major draw for television industry leaders and media brokers.
NATPE, the business association for content producers, distributors, streamers and buyers across all platforms, on Friday revealed its first programming details for its upcoming event, scheduled for January 18-20, 2022 at the sprawling Fontainebleau Resort in Miami Beach.
The main stage program’s first programming details include conversations and fireside chats with Bob Greenblatt, the former Chairman of WarnerMedia Entertainment, Chairman of NBCUniversal Television Group, and founder of the production studio The Green Room.
Also in attendance, of course, is a figure who has roamed the halls of the Fontainebleau for years while rapidly growing his assets in broadcast TV: Byron Allen.
Among the other confirmed attendees set to appear in NATPE Miami sessons are Banijay Chairman of the Americas and Endemol Shine Holdings President/CEO Cris Abrego;
ViacomCBS Global Distribution Group President Dan Cohen; NBCUniversal President of Ad Sales and Partnerships Laura Molen; and veteran media analyst Jessica Reif Ehrlich (née Cohen), traditionally the first person to participate in the iHeartMedia quarterly earnings call Q&A period.
To say that NATPE sees “momentum” building for its flagship event is an understatement. It made a point in its communication to the press on Friday that A+E, “Nick Cannon” TV show distributor Debmar-Mercury, Disney-ABC, Globo, MGM, Univision, ViacomCBS and WarnerMedia are among the companies confirmed to attend the first major content event of the new year.
Global streaming platforms such as Pluto, Tubi, and Redbox to participate as well.
WASHINGTON, D.C. — A new showcase will explore what the NAB is calling “the transformative impact of data, artificial intelligence and automation on the media and entertainment industry” at its long-awaited 2022 NAB Show.
It’s on track for April 23-27, with the Radio Show now permanently locating with the Las Vegas affair.
The “Intelligent Content” showcase, as the NAB is calling it, will direct attendees through data utilization in the content lifecycle, “providing opportunities for inspiration, innovation and implementation.”
Chris Brown, the NAB’s EVP/Managing Director for Global Connections and Events, comments, “Media is becoming more data-driven, and this focused destination marks our commitment to expanding the industry’s use of data and creating opportunities for the media industry to lead the future of content.”
The Intelligent Content showcase will feature networking events, future-focused exhibits and educational programming that will introduce new trends in production automation, content customization and immersive experiences.
AWS, MediaKind and Microsoft will anchor the showcase, located in the West Hall of the Las Vegas Convention Center. The showcase will highlight new engagement opportunities presented by always-on platforms and emerging networks, and the role data will play as the industry opens new monetization models.
Intelligent Content is the fourth content pillar created for NAB Show, joining the previously announced “Create,” “Connect” and “Capitalize.” The four pillars, associated with the content lifecycle, “offer renewed opportunities for learning, discovery and engagement,” the NAB asserts.WASHINGTON, D.C. — The U.S. House of Representatives has voted in favor of the Biden Administration’s “Build Back Better” reconciliation package — a bill that includes provisions in the Local Journalism Sustainability Act.
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In late December 2017, the FCC sought public comment on whether or not two Mexican citizens—one of whom is a major Univision Communications executive — should be allowed to purchase two FM radio stations in rural Arizona and California.
Nearly four years later, one of those two FMs is being spun.
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NEW YORK — As Forecast 2022 wound down and media executives gathered at the Harvard Club to socialize over cocktails for the first time in over 18 months, the Chief Executive Officer of Spanish Broadcasting System (SBS) had some big news to share.
On Friday morning, that information became public, putting Apollo Global Management and the media company it controls, Cox Media Group, on the hot seat. In short, SBS has asked the FCC to deny CMG’s request for additional time to divest two FMs in Florida — something that must be done per the terms of Apollo’s acquisition of CMG majority control.
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WASHINGTON, D.C. — It’s little secret that they are very much against the “Build Back Better” reconciliation package passed on a party-line vote by Democrats. But, two leading Republicans on the powerful House Energy & Commerce Committee are disgusted over what they perceive is an “unprecedented influx of funding” to the FCC.
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The RBR+TVBR InFOCUS Podcast, presented by dot.FM, continues to attract new listeners.
And, if you’ve never heard one of these audio reports hosted by Radio + Television Business Report Editor-in-Chief Adam R Jacobson, now is your chance to tune in and catch up on what your peers have been listening to.
Since October 1, thousands of industry leaders have downloaded our podcasts. But, which one has attracted the most listeners?
Michael LeeIntroducing Michael Lee, LPTVBA Executive Director.
In this InFOCUS Podcast, Lee offers a comprehensive update on why his organization seeks passage of the “Local Journalism Sustainability Act” as low-power television stations attract buyers ranging from The E.W. Scripps Co. and Gray Television to entrepreneurs including LPTVBA founder Frank Copsidas and South Asian TV programming specialist Ravi Kapur.
It’s the most-listened-to podcast since it was first distributed October 28!
Listen to “The InFOCUS Podcast: Michael Lee, LPTV Broadcasters Assn.” on Spreaker.
In mid-February 2021, Audacy Inc. shares were priced at $6.26 per share, swiftly rising from a $2.80 per share price seen in early January.
By mid-March, a slow and steady deceleration for the company’s NYSE-traded stock would commence. By November 1, AUD seemingly seemed content on staying in the mid-$3 range.
With Thursday’s Closing Bell on Wall Street, Audacy’s shares have now retreated to where they sat on January 4.
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