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GeoBroadcast Solutions Has a Maple Leaf Partner
TORONTO — GeoBroadcast Solutions has formed an exclusive partnership with a Québec-based company that will bring the company’s “MaxxCasting” offerings and associated sales, field service and post-sales support to Canadian broadcasters who seek to improve their signal strength and audience reach.
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Former NuvoTV CEO, DISH Exec Joins Univision C-Suite
MIAMI — Nearly 11 years ago, he was the Chief Executive Officer of a cable network targeting U.S. Hispanics that had just transitioned from Si TV to nuvoTV, an offering designed to appeal to bicultural audiences. In that role, a partnership was forged with Jennifer Lopez, who in 2013 served as Chief Creative Officer. The network held a splashy Upfront event at the Edison Ballroom in New York.
Today, nuvoTV is no more, as it merged with Fuse TV in September 2015. The executive would stay on, adding the title of President as he battled Comcast in 2018 over the Xfinity parent’s decision to drop Fuse.
Now, after a stint with Dish and Sling after exiting Fuse TV, Michael Schwimmer is heading back to the U.S. Hispanic market in a big way.
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A New Leadership Team For Telemundo News Ops.
MIAMI — Noticias Telemundo has a new leader, and she’s appointed a senior news leadership team that will help the news organ of NBCUniversal Telemundo Enterprises expand its coverage to the U.S. Hispanic community.
Coming aboard at Telemundo is Gabriela Tristán, as Vanessa Pombo and Gemma Garcia each earn promotions.
Tristán will serve as SVP/News, and will oversee the editorial and production units of Telemundo’s news programs, including the flagship newscast Noticias Telemundo and the morning news and entertainment program hoyDía.
Tristán jumps to Telemundo from Univision, where she most recently served as VP/Director of News Production. There, she oversaw the daily production and broadcast of all the network’s newscasts. Tristán was part of the team that launched Univision’s Al Punto with Jorge Ramos public affairs show.
Garcia is now SVP/Digital News. Since joining the network in 2016, Garcia has served as the executive producer of “Noticias Telemundo” and the vice president for network and digital news; Garcia joined Noticias Telemundo from Spain’s government-funded TVE, where she held positions as chief correspondent in New York, Italy and the Vatican and Morocco.
Lastly, Pombo is being promoted to SVP/Business Operations for News. She was formerly the Sr. Director of Production Management at Telemundo Studios, where she worked directly with production and creative executives supporting production projects for launch. Before joining Telemundo, Pombo served as vice president at Univision Studios managing entertainment and reality productions.
They report to Patsy Loris, who led Noticias Telemundo’s coverage of the 2020 U.S. presidential election and succeeded the now-retired Luis Fernandez on January 1 as EVP/News.
P&G: Broadcast Media’s Top Advertiser Once Again
It’s official: Procter & Gamble Co. was the top parent advertiser in the U.S. for the second year in a row, thanks to millions of spots airing on the radio and TV stations and cable TV channels offering local drop-in capabilities across 2021 tracked by iHeartMedia-owned Media Monitors.
According to Media Monitors, which saw its co-owned radio industry trade publication and public relations operation share the news before its widespread distribution, P&G aired more than 26 million spots on radio, local cable and broadcast TV last year.
And, for the second consecutive year, the consumer products goods (CPG) firm increased its year-over-year instances. In 2021, Procter & Gamble aired 14% more instances (26,398,691) than it did in 2020, when it ran 22% more spots (23,154,642) than 2019.
At the same time, GEICO is once again the top advertising account. The insurer aired a total of 5,945,084 instances across radio, local cable and broadcast TV. Although it was the top advertiser on broadcast TV, it ranked second on local cable and fourth on radio.
“With some of the world’s most trusted household brands like Tide, Gillette and Crest, it recognizes the value of reaching out to consumers during challenging times such as the current pandemic,” said Media Monitors President/CEO Philippe Generali. “The brand has continued to increase its reach and use advertising to boost sales.”
Here’s who advertised the most on radio, local cable and broadcast TV. RADIO Procter & Gamble was the number one parent advertiser on radio. The CPG company allocated more of its spots to radio (9,097,535) than to local cable or broadcast TV, and aired 71% more instances year-over-year on the medium. In 2020, it aired just 5,318,812 spots on radio. The US Government (2), which had ranked as the number one on radio for both 2020 and 2019, fell to number two. COVID-related government advertising dropped slightly, to 5,372,010 in 2021 from 5,857,218 in 2020. Job search service INDEED was the top radio account, with 2,532,634 instances, having just barely made it into the top 10 for 2020. Progressive Insurance aired fewer spots in 2021 than it did in 2020, dropping to number two with 2,296,537 instances. Babbel, the language-learning service and a newcomer to the list last year, rose to number three from number five in 2020. GEICO (4) and The Home Depot (5) each dropped one spot in the ranking. Top Parent Advertisers in Radio Top Accounts in Radio LOCAL CABLE On local cable, the top three parent advertisers of 2020 retained their positions in 2021, with Procter & Gamble once again at number one. With over 8.5 million instances, Procter & Gamble aired more spots than communication providers Comcast Corporation (2) and Charter Communications, Inc. (3) combined. Other top parent companies also were focused on personal care, including GlaxoSmithKline, PLC (4), L’Oreal USA, Inc. (5) and Unilever, PLC (9). Meanwhile, the battle for share-of-voice among three insurance providers rages on. Among the top 5 accounts were: Liberty Mutual Insurance (1) with 3,051,031 spots, closely followed by GEICO (2) with 3,035,714 instances. Progressive (5) trailed slightly, airing over 1.8 million spots. After its release in early 2021, Discovery+ shot to number three among the top 10 accounts with 2.8 million instances. This was enough to drive parent company Discover, Inc., into the top 10 ranking of parent advertisers in the medium. For parent advertiser Amazon.com, Inc., 3,051,527 instances were enough to lift the e-commerce company into the top 10 at number seven. With 1.4 million spots aired, Amazon.com also entered the ranking of top accounts at number 10. Top Parent Advertisers in Local Cable Top Accounts in Local Cable BROADCAST TV After being #1 on Radio and #1 on Cable, P&G did the “hat trick” in 2021: on broadcast TV, it is also the top parent advertiser. Procter & Gamble aired nearly four times as many spots as number two Johnson & Johnson. Together, the two firms aired almost as many spots (a total of 11,024,353) as the eight other parent companies in the top 10 combined (a total of 12,050,439). Broadcast TV, like local cable, also reflected a trend for self-care. In addition to Procter & Gamble and Johnson & Johnson, L’Oreal USA, Inc. (6), and Unilever PLC (7) led the top 10. In addition, healthcare-focused organizations were strongly represented in the top parent company advertiser rankings. Among the top 10 were GlaxoSmithKline PLC (3), the US Government (4) and AbbVie, Inc. (9). Insurance companies topped the rankings of advertising accounts, with GEICO holding the number one spot, followed by Liberty Mutual Insurance (2) and Progressive (4). However, five of the top 10 advertising accounts were related to health and personal care. Procter & Gamble-owned Tide (6) and Downy (7) were followed by Dupixent (8), Neutrogena (9) and Colgate (10). “We’re only going to see growth in the self-care sector,” said Generali. “The ongoing need to self-protect from the pandemic combined with increased stay-home time means that people are taking even more time to focus on themselves. They’re going to be looking for brands that reflect their lifestyles for the coming year.” Top Parent Advertisers in Broadcast TV Top Accounts in Broadcast TVFrom East Arkansas To NAB for New ‘Member Experience’ Leader
He’s responsible for all aspects of the NAB member experience, including content, programming, networking and “other engagement strategies that provide value to members and their businesses.”
Additionally, he will work closely with broadcast leaders and representatives “to identify the needs of the industry and develop timely and pertinent solutions to address these issues.”
Introducing the incoming VP of Member Experience for the broadcast media industry’s chief advocacy organization and biggest voice on Capitol Hill.
His name: Bradford Caldwell. He begins his new role on February 1 and reports to EVP of Industry Experience April Carty-Sipp.
Caldwell is taking a new position at the NAB, but is absorbing duties currently held by NAB SVP of Member Services and Operations B.J. Corriveau. He retired at the end of 2021.
“As a third-generation broadcaster, Bradford knows what it takes to operate stations on a day-to-day basis,” NAB President/CEO Curtis LeGeyt said. “He is well-respected by his peers and our membership will benefit greatly as he helps NAB continue serving the needs of the broadcasting community.”
Caldwell previously served as CFO of East Arkansas Broadcasters (EAB), which owns and operates 31 radio stations in Arkansas.
Caldwell has served as a member of the NAB Radio Board of Directors representing Arkansas and Tennessee and is a past chairman of the Arkansas Broadcasters Association. He is currently chairman of the Cross County, Arkansas Community Foundation and a past president of the Cross County, Arkansas Chamber of Commerce. He is also a past board member of the Arkansas Science and Technology Authority.
Bradford Caldwell Joins NAB Staff
The National Association of Broadcasters named Bradford Caldwell as vice president of member experience, starting Feb. 1.
The position is a new one created following the retirement of Senior VP of Member Services and Operations B.J. Corriveau in December. Caldwell will report to Executive Vice President of Industry Affairs April Carty-Sipp.
The announcement was made by NAB President/CEO Curtis LeGeyt, who noted that Caldwell is a third-generation broadcast.
Caldwell is former chief financial officer of East Arkansas Broadcasters, which has 31 radio stations in Arkansas. He is a former member of the NAB Radio Board and a past chairman of the Arkansas Broadcasters Association.
The post Bradford Caldwell Joins NAB Staff appeared first on Radio World.
Deadline to File Webcasting Fee Is on the Horizon
An important deadline is approaching for most radio broadcasters that stream sound recordings.
This annual required fee — known as a minimum fee and related statement of account — must be filed with SoundExchange by Jan. 31, 2022. Stations can pay the fee through the Licensee Direct online filing portal, according to a blog post by the firm Fletcher, Heald & Hildreth that calls attention to the deadline.
Most radio broadcasters must file a report of use informing SoundExchange of the recordings that a station uses. Each report must include sound recording usage information pertaining to two seven-day periods in that quarter with reports due no later than 45 days after the end of the relevant month or quarter.
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If a station owes more than the $1,000 minimum fee for the year, a station must file census reports on a monthly basis. If a station owes less than that minimum, they can file sample reports on a quarterly basis.
The fee for the 2021–2025 license term for commercial and noncommercial webcasters is $1,000. That was increased for the current license term by $500, as determined by the Copyright Royalty Board. In addition, the per performance fee charged in excess of that minimum fee is $0.0022 for 2022 for non-subscription services and $0.0028 for subscription services.
The rates and rules are different for noncommercial educational stations and public broadcasters affiliated with NPR, as the blog post lays out.
Read the full blog post from Fletcher Heald.
The post Deadline to File Webcasting Fee Is on the Horizon appeared first on Radio World.
GBS Inks Deal in Canada With Octave Communications
GeoBroadcast Solutions announced a partnership with Quebec-based Octave Communications to provide GBS’s MaxxCasting solutions to Canadian broadcasters.
Under the agreement, which GBS said is exclusive, Octave also covers associated MaxxCasting sales, field service and post-sales support.
“Octave and GeoBroadcast have had a long, collaborative relationship in the U.S. based around Octave’s market-leading Nomad HDR/FM Analyzer, which is a key tool supporting the implementation of its MaxxCasting system,” GBS said in the announcement.
Octave is an engineering consulting firm specializing in radio broadcasting, telecommunications and RF analysis measurement software. MaxxCasting is a synchronized booster system for FM broadcasters. GBS says it increases signal quality and PPM watermark decoding, and allows geographic targeting and fencing of radio screen advertising.
François Gauthier is president of Octave Communications.
The post GBS Inks Deal in Canada With Octave Communications appeared first on Radio World.
These Are U.S. Radio’s Top Advertisers
U.S. radio stations have reason to be happy with Procter & Gamble and Uncle Sam right now.
According to a new report from Media Monitors, P&G was the number one parent advertiser on U.S. radio in 2021 based on the number of spots run. The consumer products goods company allocated 9 million spots to radio, more than to local cable or broadcast TV, and aired a whopping 71% more instances year-over-year on radio compared to 2020.
The U.S. government, which held the top spot in 2019 and 2020, fell to number 2.
On a separate list of the top individual radio accounts, job search service Indeed was number one, jumping from the ninth position a year earlier.
Among other findings, Media Monitors said Progressive Insurance aired fewer spots in 2021, and that Babbel, the language-learning service new to the list last year, rose to number three from number five
Across all of radio, local cable and broadcast TV combined, Procter & Gamble was the top parent advertiser for the second year in a row, while GEICO was again the number one advertising account.
The two radio charts are shown below.
The post These Are U.S. Radio’s Top Advertisers appeared first on Radio World.
Diverse Skill Sets Are More Important Than Ever
In a recent ebook, Radio World asked engineers to talk about how their own organizations have been affected by the pandemic.
Josh Bohn at WAPR(FM) in Selma, Ala., with the station’s modified Continental 816R-3C.Josh Bohn says most radio broadcast clients of The MaxxKonnect Group are operating their businesses in person again but also continuing to employ a significant level of remote services. “Real-time voicetracking is showing up in places it previously hadn’t, as well as pre-produced shows being loaded remotely in near-real time,” said Bohn.
“A lot of remote functions will continue long-term with radio broadcasters. They have discovered that you don’t need salespeople sitting around a bullpen at the station when they can do the same thing from home, or their vehicle.”
MaxxKonnect is a technical services company that offers wireless connectivity and high-speed internet services, and it does broadcast integration work. Bohn is president/CEO.
The remote broadcasting infrastructures that his clients built out during the pandemic, he feels, will continue to be used in a lot of cases.
“Maybe not as a permanent, full-time solution, but I don’t see companies dismantling remote studios for talent that they built, or talent themselves getting rid of their home studios. It adds a layer of versatility that radio has now fully embraced and will be utilized.
“It’s also allowing broadcasters to downsize studios to save on real estate costs, and put more critical functions in the cloud.”
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MaxxKonnect has quite a few integration projects in the pipeline. “A lot of capital dollars were put on hold during the throes of the pandemic, and companies are reinvesting in their infrastructure.”
General COVID precautions during projects are now part of its routine, including masks, more social distancing and general handwashing.
“With more talent working from home, studio projects are typically less hectic than they were pre-pandemic. Transmitter projects, of which we’ve got at least five scheduled currently, haven’t changed much unless we are directly interacting with the customer’s staff or other crews onsite.”
Bohn, who also owns WIEZ(AM) and its FM translator in Decatur, Ala., sees more cloud solutions being employed, including at his own company.
“Recently, with the assistance of Alex Hartman of Optimized Media Group, we installed redundant VM servers and a RAID server for our MaxxKonnect Group offices and the operations of WIEZ.
“In the near future, my plan is to virtualize many of the dedicated PCs we’ve got in our operation, as well as the DJB Zone automation system I’m running for WIEZ.” Some of his clients are working on similar setups for their back-office functions.
“We’ve also deployed a lot of MaxxKonnect Wireless units for remote studio setups due to the pandemic. Obviously internet access is the key component to any cloud-based solution, so multiple sources of internet are necessary. Diversification of those sources between wireline and wireless helps reduce the chances of any one failure taking out all your internet options.”
So what does a typical “hybrid” radio operation look like now?
“We see them from something as simple as VNC into an automation PC and file drop to insert items, to full-on AoIP via VPN with in-studio level functionality at the remote location,” he replied.
“I don’t know that there is a ‘typical’ hybrid operation in 2021. There are so many options out there when it comes to remote functions now, it makes it easy to be picky and get what you want from the a la carte menu!”
Bohn says good engineering practice after the pandemic looks a lot like it did before the pandemic, with an emphasis on backups, connection diversity and improving reliability.
“Radio needs to stay relevant to stay profitable, and that’s a struggle if you’re off the air or operating in a reduced capacity,” he said.
“Engineers need to continue to be more IT-savvy to understand virtualization, the cloud, network diversity and infrastructure security — and still know how to fix the old tube backup transmitter. Broadcast engineers have always had to have a diverse skill set. That’s only changed in the fact that it’s getting more diverse.”
In the ebook “After the Masks Come Off,” Radio World asked engineers to talk about how their own organizations have been affected by the experiences of the past two years; whether they are applying cloud solutions or other types of virtualization; and what constitutes a typical “hybrid” radio operation now. It features comments from technical leaders at Audacy, Salem Media Group, Alpha Media, VPM, Cogeco Media, Educational Media Foundation, Second Opinion Communications, Burk and Shively. Read “After the Masks Come Off.”
The post Diverse Skill Sets Are More Important Than Ever appeared first on Radio World.
Librarian of Congress Reappoints CRB Judge
Librarian of Congress Carla Hayden has reappointed a Copyright Royalty Judge focused in economics to a six-year term.
With the decision, this judge will have spent 15 years on the Copyright Royalty Board.
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NYF’s TV & Film Awards Advisory Board Expands
New York Festivals TV & Film Awards has added two individuals to its Advisory Board. One is the CEO of WaterBear Network. The other is the Editor-in-Chief and Chief Sustainability Officer for Mediacorp Singapore.
Ellen Windemuth, of WaterBear Network, is being joined by Mediacorp Singapore’s Walter Fernandez.
They join a 16-member Advisory Board panel. Their experience and expertise provide “a futurist’s view of the evolving television and film industry to NYF’s TV & Film Awards.”
The deadline to enter the 2022 Television & Film Awards competition is February 1. To view entry details and competition rules and regulations visit HERE. For a complete list of 2022 categories, visit HERE.
All Entries in the 2022 competition will be judged online and screened by NYF’s TV & Film Awards award-winning Grand Jury panel. Award-winning entries will be showcased at the Storytellers Gala.
To view the 2021 TV & Film Awards winner’s showcase visit: winners.