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Telos Alliance has introduced a streamlined version of its Axia Quasar AoIP surface.

The Quasar SR replaces the Axia Fusion in the company’s lineup. Telos also announced a major free system update for users of its original Quasar.

The new Quasar SR is part of the Livewire+ AES67 ecosystem. Telos said it uses the frame, power supply and master module of the original Quasar, but the fader modules are not motorized and there are fewer, larger and easier-to-reach buttons on each channel strip.

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“All of these refinements make it easy for any operator to use the SR console, while introducing cost efficiencies that allow SR to be an exceptional value,” the company stated in the announcement.

The surface includes a heavy-duty 12.1-inch touchscreen user interface so an external monitor is not required, though one can be used if desired via the external video output.

Axia Quasar DSP user interface

The system includes Expert Source Profile controls for power users to set custom logic associated with each source. “The user can program GPIO control, mix-minus routing, talkback and other functions based upon console channel state,” Telos said. “Flexible Record Mode gives complete control of monitors, meters, headphone feeds, program bus assignments, and more.”

Show Profiles allow up to 4,000 console “snapshots” with different settings, layouts and defaults. Automatic mix-minus and automixing are available on all channels. Features include touch-sensitive encoders, faders and user buttons.

The new model also introduces a remote control option called Quasar Soft. “This solution lets broadcasters control the surface from any HTML5 browser. Included as part of the Quasar Soft license, Quasar Cast is a remote monitoring solution that lets users listen to what is happening in the studio and on the air while they operate the console remotely using Quasar Soft.”

In a related development, Telos announced availability of a Quasar V2.0 Major System Update, which converts an original Quasar console to Quasar XR. This is a free system update that adds scalability and modularity to the original console; it also adds Quasar Soft and Quasar Cast, integration with Telos Infinity IP Intercom and support for planned Quasar Accessory Modules. Telos said the update makes Quasar more flexible for applications like working from home.

Send your new equipment news to radioworld@futurenet.com.

Info: https://telosalliance.com

 

The post Telos Offers a Streamlined Quasar appeared first on Radio World.

It’s a Class A FM covering a rural portion of Arkansas, just south of the Ozarks resort town of Branson, Mo. Until now, it’s been a part of the “Here’s Help Network,” tied to stations offering the religious-themed programming to towns in Missouri.

That’s about to change thanks to the second-largest licensee of FM radio stations in the U.S.

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At the start of 2021, it became known that Iliana Communications had agreed to divest its stations in one Illinois town.

Now, Iliana has agreed to sell an AM, along with its FM translator, in another municipality in the Land of Lincoln.

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There’s a flurry of activity going on at both the FCC and on Capitol Hill that directly impacts broadcast media leaders. From a new bill that could force a New Jersey TV station to devote specific hours of the day to “local” programming to concerns that President Biden will not nominate a FCC Chair, there’s much to discuss.

Forecast 2022 participants will get to hear all about it during a session moderated by Frank Montero, the notable attorney at Fletcher Heald & Hildreth with a pulse on what’s happening Inside the Beltway.

In this InFOCUS Podcast, presented by dot.FM, Montero shares his thoughts on a notion once thought to be preposterous — a possible Republican FCC majority during a Democratic presidency.

He also tackles a question that perhaps no one wants to answer. Is a Democratic majority at the FCC doom for deregulation? “By and large, Democrats at the FCC have really not focused that much on broadcasting,” Montero says, noting that broadband, wireless, infrastructure and other topics have been their forte.

But, when Democrats do discuss broadcasting, they have perhaps unfairly put their collective lenses on consolidation, and whether or not it has harmed consumers.

At Forecast 2022, Montero will moderate a session that sees Beasley Media Group CEO Caroline Beasley take the stage as a panelist. Joining her: BIA Advisory Services Chief Economist Dr. Mark Fratrik.

This podcast offers a great preview of what’s to come on November 16 at Forecast 2022. Listen now, and then be sure to save your seat at Forecast 2022 in New York. It’s easy — just click here!

 

 

 
Listen to “Frank Montero, Fletcher Heald & Hildreth” on Spreaker.
 

One month ago, a seemingly final plan of action was put in place for RBR+TVBR as it reviewed the full agenda of 2021 NAB Show sessions, selecting which ones to cover for its readers. Among the topics on tap for today: New Perspectives for Local Radio Audience Measurement, Reception of All-digital AM Radio in Electric Vehicles and The TV Industry’s New Normal.

Alas, there would be no discussion of the “new normal” come October 12 — aside from the decision by several Cumulus Media air personalities to leave their respective jobs rather than be forced to vaccinate against COVID-19, the very reason the NAB scrapped their event with less than a month to go.

Yet, there are several radio industry professionals who have just wrapped up a two-day event full of discussions and insight on the future of radio, and of audio.

With an in-person and virtual option, Radiodays Europe concluded its postponed event five months after its originally scheduled date on Monday in Lisbon, Portugal.

Where will the top broadcast media industry leaders be this autumn? The only time this year you’ll get to see them — and perhaps the final time you’ll get to see soon-to-retire NAB head Gordon Smith — is at Forecast 2022 on November 16. Learn more, and register today, by visiting the official event website.

 

 

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Radio Maria, an international network of 77 Catholic radio stations, is now participating in DTS AutoStage.

Xperi says that given Radio Maria’s reach of roughly a half-billion listeners, this is its largest global radio integration to date.

[Related: “Cumulus Stations Support DTS AutoStage”]

DTS AutoStage is a hybrid radio platform that parent company Xperi Corp. is offering in 60 countries and hopes will be adopted by broadcasters and carmakers globally.

Hybrid radio systems combine over-the-air radio with IP delivered content. Xperi is working to make DTS AutoStage available widely in vehicles; it is available in the market so far in the Mercedes-Benz S-Class.

Radio Maria began as a parish radio station in 1983 in Milan, Italy. It now has 77 stations and is also heard on FM-world, a streaming and aggregation platform for radio stations run by 22HBG, which facilitated the integration of Radio Maria with DTS AutoStage.

[Related: “Xperi Has Big Ambitions for DTS AutoStage”]

The announcement was made by Joe D’Angelo, Xperi senior vice president, business development, broadcast, and Vittorio Viccardi, president of World Family of Radio Maria.

DTS AutoStage is based on a large database of broadcast metadata that Xperi highlights for its “large and stunning” artwork, artist and album information, personalization and other functionality.

 

The post Radio Maria Joins DTS AutoStage appeared first on Radio World.

In late September, the analytics and advertising division of AT&T that operates the Community digital advertising online platform released its annual “Relevance Report” findings.”

This year’s report focuses on the state of convergence and advanced TV, and there’s certainly something to glean for over-the-air broadcast television station operators from the findings.

AT&T ad tech company Xandr examined the data and automation that are bringing video into the future of advertising. Xandr spoke with 357 advertising decision-makers across five global regions — the U.S., the U.K., Australia, France and Germany — to get a holistic picture of the state of convergence.

The full report, available here, found that much of the world is experiencing a “golden age” of premium video content for viewers, it is also the height of complexity for advertisers.

Among the key findings from Xandr:

• Data-driven linear (DDL) is gaining momentum in the U.S. with 3 in 4 advertisers believing it gives marketers the very best of TV and digital advertising and over half planning to increase DDL spending in the next year.
• OTT and CTV remain a top strategic priority among advertisers with 4 out of 5 regions surveyed ranking it as a top priority among video types.
• There is work to be done to move people and technology to a converged future as a third of advertisers surveyed lack familiarity with the programmatic OTT buying process.

The first point is perhaps the most intriguing one. How is that helping broadcast television?

“In short, Data Driven Linear is a more precise approach to buying linear TV, without compromising scale,” a Xandr spokesperson tells Weekly Tech Roundup.

Literature shared by Xandr elaborates that “data-driven linear leverages advanced data and automation to further define and target audiences across national linear TV.”

Why? Traditional TV advertising, in its view, is broad. “From a marketing perspective, women 25-54 can be very different,” Xandr shares.

With Data Driven Linear opportunities, a marketer can gain access to targeted audiences, “optimized plans across high-indexing networks and dayparts on the largest national TV networks to deliver on KPIs,” drive efficiencies with streamlined RFPs and negotiation, and “advanced measurement.”

 

BELLEVUE, WASH. — A “real-time platform” for measuring the business and brand impact of cross-platform television advertising has agreed to purchase a real-time television ad measurement company that specializes in products for D2C and direct response TV advertisers.

The deal, which sees the acquisition of DRMetrix by iSpot.tv, widens iSpot’s measurement of emerging formats for addressable advertising.

And, the iSpot.tv says, it enhances its ability to track rotating calls-to-actions, including website URLs, SMS and toll-free numbers.

“This capability — coupled with iSpot’s ability to track distinct creatives at scale and correlate ad exposures to conversion events such as digital actions and in-store traffic — gives brands of all sizes the expanded ability to measure the business impact of complex and dynamic ad buys across platforms,” iSpot notes.

Sean Muller, founder and CEO of iSpot, elaborates, “DRMetrix has developed unique and real-time measurement capabilities around creative versioning and dynamic advertising that will become increasingly important as the TV ad market evolves.”

DRMetrix’s AdSphere developed a measurement system for monitoring all TV ad formats and executions including those delivered via digital program insertion (DPI) ad breaks. The DPI measurement capabilities allow precise identification of ad creatives that are sold by the cable networks as “cover-ups,” which MVPDs inconsistently overlay with their own inventories.

This inventory, which includes addressable and local advertising, creates a continuous blind spot for networks, agencies and brands. The cover-ups are a favorite means for DTC and DR advertisers to invest in and test television, as they often come at a heavy discount. But both the buy and sell side struggle to accurately quantify the performance and value of this inventory because, until the combination of DRMetrix and iSpot, they could not be measured precisely at scale.

“We developed a unique system for accurately measuring one of the most dynamic and difficult portions of TV advertising, and we amassed a client base that represents a growing and important part of the TV ecosystem,” says Joseph Gray, founder/CEO of DRMetrix. “In iSpot, we’ve found a home for our innovations to thrive and a vehicle to accelerate our shared goals of making all TV ad measurement more transparent, more actionable and easier.”

DRMetrix serves 120 brands, networks and agencies, growing iSpot’s customer footprint to more than 450 annual brand subscriptions representing 50%+ of brands in the Ad Age 100 and 95% of TV networks in North America. This is iSpot’s second acquisition of a real-time ad measurement company, as it acquired Ace Metrix in January 2021 to combine business and brand impact using Ace’s comprehensive qualitative approach to measurement and scoring of creative performance.

— Reporting by Melissa Hourigan

NEW YORK — Audio analytics company Veritonic has a new VP of Marketing.

The company has selected a 10-year Triton Digital veteran for the role, as she exits the company just months after its acquisition by iHeartMedia from The E.W. Scripps Co.

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Broadcast audio processing company Orban has brought to market its new OPTIMOD XPN-Enterprise ecosystem. The company describes the product as an “an easy-to-use, customizable Linux-based processing platform for multiple broadcast stations or streaming services, with centralized control.”

It provides Orban’s proprietary OptiCloud processing for up to 8 FM and 8 HD/DAB+/Streaming processing channels in a 1 RU package, using an enterprise-class SoftGear server and the appropriate OPTIMOD XPN-Enterprise Nodes, Orban notes.

The XPN-Enterprise server that’s now shipping provides 16 processing channels via AoIP and supports AES-67/SMPTE-2110 protocols.

Also shipping now: the XPN-Enterprise AES3 Input/Output Node.

Additional nodes to extend the available outputs and functionalities, e.g., DMPX, Kantar and Nielsen watermarking and Orban uMPX, will be released in the near future.

The XPN-Enterprise system has been extensively field-tested and approved by national broadcasters, Orban President David Day said.

Content to be OptiCloud processed is brought to one location, utilizing any of the most common methods of audio transport – AES3, AES-67, SMPTE-2110-30, Dante or Livewire+, and creates the necessary outputs (FM Composite, DMPX, uMPX, and DAB+HD) using the appropriate Orban XPN-Enterprise Nodes for distribution to each transmitter site.

Processed channels destined for streaming are also handled by the XPN-Enterprise server, which sends those outputs to the appropriate streaming devices.

Each signal coming into the OPTIMOD XPN-Enterprise server can be individually processed, with Orban’s OptiCloud providing precision tailoring of each station’s broadcast or stream to meet the requirements of the audience and delivery method. OptiCloud factory presets give users a quick start for each format; Orban’s exclusive “Less-More” controls simplify “dialing in” the desired sound by combining multiple OptiCloud processing parameters with a handful of controls.

Further simplifying the processing path, Orban offers “Last Mile” products including XPN-
Enterprise input and output nodes and low bandwidth (<500 kbps for FM & HD-1, HD-2 & HD-3) equipment for “virtually any requirement,” Day says.

He comments, “We make it possible to manage our processing remotely and feed that signal to a site on lines as slow as 500 kbps, and many nodes are ‘Power over Ethernet’ (PoE) capable, further simplifying installation.”

For more information, visit https://www.orban.com.

Today, digital media and technology have permeated businesses at every level. Yet, they continue to create fundamentally new challenges in the crisis and risk management field.

Perhaps Edelman’s just released 2021 Connected Crisis Study can help. It sheds new light on how significant this shift has become, and how far companies still have to go, to adapt.

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Harker Bos Group recently fielded a study documenting the consumption habits and voting trends of Hispanic Radio Listeners.

A cursory overview of some findings was shared at the Hispanic Radio Conference in late September. Now, an eight-page report with further details is available for public view.

How has revenue recovered from the onset of a pandemic that saw generally steep declines and where some categories continue to experience slower than hoped for rebounds? A Forecast 2022 panel of experts are preparing a provocative discussion about who is going to “show us the money” in the year to come. For more, click on the logo at left!

 

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Music scheduling software developer Powergold has a new edition of its eponymous program.

Called Powergold NXT, the company said “This ground-breaking music scheduling software release is a purpose-built response to the evolving needs of some of the world’s largest broadcasters.”

[Check Out More Products at Radio World’s Products Section]

Powergold CEO/CTO Lance Olvey said, “Broadcasters around the globe were already moving toward technology hubs and decentralized working even before the worldwide pandemic. We observed these shifts and subsequently began to build Powergold NXT a number of years ago.” Adding, “COVID-19 only accelerated the need for a more robust scheduling solution that could accommodate many concurrent users working remotely in less-than-ideal networking conditions. It turned out to be the perfect environment in which to deploy Powergold NXT!”

According to Powergold, NXT is built on a Microsoft SQL database which will provide compatibility with most software and hardware it is likely to encounter in the broadcast plant and through remote operation.

According to Powergold, NXT also has enhanced functionality and flexibility that should give programmers more control over their music scheduling. In addition, rule optimization, schedule snapshots, element merge functions, music research imports, and an improved ‘undo’ function back to any point in time ensures will help users.

Send your new equipment news to radioworld@futurenet.com.

Info: www.powergold.com

 

The post Powergold Rolls Out NXT appeared first on Radio World.

While many broadcast media leaders lament how the “GAFAN” group of digital media Goliaths have grabbed dollar after dollar from their over-the-air stations, resulting in advertising challenges, it turns out that the top brand using Spot Television for the week ending October 10 is one of those “GAFAN” giants.

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A September 29 conversation with the four individuals at the helm of Salem Media Group with a key Wall Street media analyst is available now on Channelchek.

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“People earn cash back, businesses make more.”

That’s the basic premise behind a brand that has sought to grow its national profile by promoting its services via Spot Radio. And, the latest Media Monitors Spot Ten Radio report shows, this brand has emerged as one of the more exciting new users of AM and FM radio for its marketing efforts.

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The latest Media Monitors Spot Ten Cable report is out, and it shows brand stability across the rankings by play count.

The report also shows that two brands that have been active in the past at Spot Cable are now back in a big way, thanks to new campaigns.

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Swagger Institute and P1 Learning are teaming up for a third time to stage a virtual sales and management training summit.

The two-day affair is scheduled for January 26-27, 2022.

Featuring lessons from top industry professionals, Rising Above (risingabovesummit.com) is designed to help sellers and managers get ready to take on 2022.

P1 Learning’s Speed Marriott commented, “After last January’s summit, we really didn’t think we were going to do another Rising Above event. We figured our world would be on a path to normalcy, but wow, were we wrong! With feedback from sellers and managers along with industry surveys, we learned that the industry still needs motivation and
encouragement, so how could we not do this again?”

Registration for Rising Above will be offered for free through participating State Broadcasters Associations and their memberships.

An on-demand version will be available for those who register.

Derron Steenbergen, of the Swagger Institute, said, “Sales managers across the country keep saying their sellers need help. With this pandemic lingering, salespeople are not getting to travel to training opportunities like they once did. Rising Above was birthed initially to provide help to those in the trenches in our industry and it continues to fill that void today. Speed and I are extremely excited to bring the best trainers together again to give our sellers and managers the tools to go deliver more results for their clients. Finally, the goal for Rising Above 3 will be to provide lift to our industry and those working so hard to help the businesses in their communities.”

For more information about Rising Above: A Virtual Sales & Management Summit, visit
risingabovesummit.com

Seven months ago, RBR+TVBR reported that the fate of three FM radio stations formerly controlled by Ed Stolz through his Royce International Broadcasting Corp. was seeming sealed. Paperwork had been filed with the FCC signaling the properties’ transfer of control to religious broadcast ministry VCY America, from the court-appointed receiver of the stations.

While many believed Stolz would maneuver to thwart the loss of his FMs, the proposed $6 million has perhaps an unexpected obstacle blocking its ultimate fruition: the FCC’s Media Bureau.

As such, the parties involved in the transaction last week met by video conference with the Media Bureau Chief, and the two key leaders in the Audio Division, pleading the Commission to green-light the deal already. It’s a move the frustrated Federal judge overseeing the court-ordered station deal is urging, too.

Join Larry Patrick, the noted broker who is the court-appointed receiver for the three FMs formerly controlled by Ed Stolz’s Royce International Broadcasting, as he moderates a Forecast 2022 panel discussion on how independent broadcasters are surviving and thriving as station owners. For more information, click on the Forecast 2022 logo today!

 

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Legislation being considered in the House and Senate could help local media outlets hire and retain skilled local journalists — and the National Association of Broadcasters is asking radio and TV broadcasters to press their Congressional leaders to take action.

Introduced this summer, the Local Journalism Sustainability Act is designed to help local news outlets keep local journalists on staff by providing tax credits to local media outlets that hire local reporters. A recent briefing on the NAB website titled “What Would the Local Journalism Sustainability Act Mean for Your Station,” NAB Executive Vice President of Government Relations Shawn Donilon suggested stations press their members of Congress to support the inclusion of the act as part of the current budget reconciliation package. Such a move would help stations continue to deliver both trustworthy local news and vital investigative journalism to local communities, Donilon said.

The legislation is designed to support local news production through a series of tax credits, including a local news subscription credit, a local newspaper and local media advertising credit and the local news journalist compensation credit — the latter of which is gaining significant traction in Washington, Donilon said. This item is designed to give any broadcast station that employs local journalists — defined as those who do original reporting, design or technology support for their local station and work more than 100 hours per quarter — credit for 50% of an employee’s compensation (up to $50,000) in the first year and credit for 30% of an employee’s compensation (also up to $50,000) in the subsequent four years.

The proposed legislation has a cap of 1,500 employees for any individual company, although negotiations on Capitol Hill are ongoing in regard to the size and scope of the policies, Donilon said.

It’s time for NAB members to reach out to their Congressional members and press them to support the Local Journalism Sustainability Act in the budget reconciliation package, he said. Support for the act already exists by senators like Sen. Maria Cantwell (D-Wash.), a co-sponsor of the legislation, who has said that local news needs to be supported and protected. “At its core, local news is about holding the powerful accountable,” she said. “The strength of our democracy is based in truth and transparency and local newsrooms are on the ground in our communities asking the critical questions, countering misinformation and telling our stories.”

Passage of this legislation could have a significant impact on broadcasters as they work to keep their newsroom staff on payroll, Donilon said. In addition to a recent blog post by the NAB, Donilon suggested broadcasters voice their supports for the act by emailing legislators prepared text outlining why local radio and TV matter.

The legislation also has garnered support from state broadcast associations, media organizations like the News Media Alliance and organizations representing journalists like the National Association of Black Owned Broadcasters and Native Public Media.

 

The post Sustainability Act Would Offer Tax Credit for Local Journalist Hires appeared first on Radio World.