Industry News

The Nielsen company Gracenote, which supports content search and discovery capabilities on entertainment platforms, has joined RadioDNS.

As part of its membership duties, Gracenote will collaborate with manufacturers and broadcasters to develop open standards to support the future of hybrid radio and boost listener engagement in connected cars.

“We’re very pleased to be welcoming another key supplier in the automotive industry to our membership, and one that already handles a great deal of metadata and content,” said Nick Piggott, project director of RadioDNS, in the announcement. “The breadth and depth of our coalition of members means we can draw on relevant and practical experience to develop open standards that respond to real-work requirements.”

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According to the company, Gracenote powers infotainment experiences in 120 million cars, providing music metadata and imagery to help drivers and passengers connect with audio content safely. The Gracenote MusicID system identifies music in real time and serves up relevant song, artist and album information to the car’s on-screen display. The Gracenote Radio Station ID system works in a similar manner, enabling graphically rich displays, while Gracenote Audio On Demand delivers a standardized descriptive dataset for podcasts to improve search capabilities.

RadioDNS said that as a member, Gracenote will engage with broadcasters, manufacturers and technology providers to help define the organization’s technical standards and create standards for new hybrid radio functionalities.

According to Maryann Faricy, senior director of product, automotive, at Gracenote, the company has a sizable footprint in the automotive and consumer electronics sectors and will help RadioDNS better position the organization to influence the future of radio and in-car entertainment experiences.

Comment on this or any article. Email radioworld@futurenet.com.

The post RadioDNS Welcomes Nielsen’s Gracenote Into Organization appeared first on Radio World.

The Delaware corporation headed by the former CEO of HC2 Holdings has struck again.

The Philip Falcone-led Sovryn Holdings has struck a deal that will see it add a digital Class A television station in a top DMA to its growing list of properties, pending FCC approval.

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In August 2012, the broadcast TV station ownership group and the direct broadcast satellite company were headed to a “blackout” due to an impasse on a retransmission consent agreement. It was averted.

In August 2015, negotiations went sour, and a “blackout” transpired — one that saw the DBS provider file a “good faith” complaint at the FCC against the broadcast company. Days later, however, an agreement was reached.

Three months ago, history was set to repeat itself. That didn’t happen. This morning, the companies ensured it won’t for a few more years.

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A full-service telecommunications company owned by Schurz Communications since 1968 has reached a multi-year agreement for local TV measurement.

It’s a deal that will see Nielsen’s data support the Western Maryland-based MVPD’s ability to determine the individual local performance of the cable networks that it represents and the audience that each network delivers.

At the same time, it is a tale of small MVPD divergence, as a rural Kentucky telecommunications company has opted to phase out its cable television services by handing it to Dish Network via a partnership agreement.

Inking the deal with Nielsen is Antietam Broadband, which serves customers in Washington County, Md., a part of the Washington, D.C. DMA that includes Hagerstown.

For Antietam, the Nielsen data give it the capability to price its inventory based on Nielsen local TV ratings data. For small and independent MVPDs, this could be crucial for continuing such services, rather than taking the road of the Kentucky MVPD.

Antietam Broadband Director of Media Services Tony Heaton cited Nielsen’s addition of Broadband Only (BBO) measurement. “We are also excited about Nielsen’s commitment to impressions in local TV, which will benefit not only us, but the entire industry,” he said.

Nielsen Local TV EVP/Managing Director Catherine Herkovic commented, “Antietam’s support and enthusiasm for impressions based buying further demonstrates this need across the industry, and we are looking forward to continuing to empower them with the insights that will enable them to go to the next level of advertiser effectiveness with their clients.”

The controversy over “net neutrality” advocate Gigi Sohn’s nomination to the FCC is the talk of Washington — and will be a key topic of discussion tomorrow at Forecast 2022.

As American Enterprise Institute (AEI) nonresident senior fellow Daniel Lyons sees it, these nomination battles could be less frequent — and less important — if the focus of legislative decision-making was shifted from agencies like the FCC back to Congress.

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Attention, broadcast TV station owners and managers: Streaming growth has stalled, and the fight for streamers is now to retain subscribers.

That’s the big takeaway from research released late last week by Kantar, which says this fight for retention will be heightened between now and the end of the year. Can broadcasters perhaps benefit from this, in particular with their digital multicast and/or OTT offerings?

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This week, we’re taking a look at NPR/Edison Research’s new report on spoken word audio.

“The Spoken Word Audio Report” shows steady growth in spoken word audio consumption since 2014.

How much has spoken word’s share of audio listening grown over the past 12 months? The short answer, a lot. For the third year, NPR and Edison Research have joined forces to produce “The Spoken Word Audio Report.” The results were presented at a Nov. 11 webinar led by Lamar Johnson, vice president of sponsorship marketing at NPR, and Megan Lazovick, vice president at Edison Research.

The survey defines spoken word audio as anything other than music, i.e., news, sports, talk/personalities and audiobooks. According to the research, of the 40 percent growth in spoken word listening over the past seven years cited by the survey, 8 percent took place in the past 12 months. That translates to 22 million more people listening to spoken word than eight years ago.

While music is still the overwhelming content of choice, the research suggests that spoken word is steadily chipping away at that lead. In 2014, music commanded 80 percent of listenership and spoken word got 20 percent. In 2021, those numbers shifted to 28 percent for spoken word and 72 percent for music.

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No matter how you break it down, the report claims that the share of time spent listening from 2014 to 2021 has increased across the board. When tracked by gender, men showed an increase from 26 to 32 percent, up 23 percent. One of the big surprises of this report was the increase among women, from 14 to 24 percent, an impressive 71-percent jump.

Not surprisingly, the youngest demographic showed the highest increase. Those in the 13 to 34 bracket had a gain of 116 percent, according to the report. Those aged 35–54 saw a 36 percent jump from 22 to 30 percent, while the 55+ demographic went up from 26 to 28 percent, an 8 percent uptick.

According to the NPR/Edison report, multicultural listeners are a key driving force in the expansion of spoken word audio. Those identifying as white/other saw a 26 percent increase from 23 to 29 percent, while African-American listenership increased 12 to 22 percent, up 83 percent. The Hispanic/Latino population listening to spoken word went up from 15 to 27 percent, an 80 percent jump.

Comment on this or any article. Email radioworld@futurenet.com.

The post Spoken Word Listenership Increases 40% Since 2014 appeared first on Radio World.

A Class B1 religious FM serving Williamsport, Pa., is being spun.

The buyer is another broadcast ministry presently serving audiences along New York’s Southern Tier, and to the west in the Twin Tiers of Pennsylvania and New York. As such, this deal is a natural growth opportunity for the soon-to-be new owner.

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In another sign that the local cable TV provider is far from that in 2021, an ACA Connects member serving a Kentucky town of some 3,600 residents to the north of Knoxville, Tenn., has decided to cease offering cable television services to new customers.

For existing customers, they won’t be left without alternatives — thanks to a partnership with DISH Network.

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DOBBS FERRY, N.Y. — The 2022 New York Festivals® Radio Awards competition is now open for entries.

New York Festivals Radio Awards honors storytellers from around the globe. Since 1957 NYF has celebrated excellence and innovation across all genres and platforms, keeping pace with industry-wide developments and global trends.

“When we added nine categories for social justice content last year, radio producers and the global audio storytelling community responded with thought-provoking work,” said Rose Anderson, VP/Executive Director at New York Festivals Radio Awards. “This year, we are thrilled to announce the debut of our new trophy, the iconic NYF Tower in hand-polished Gold, Silver, and Bronze.”

2021 Social Justice medal winners included “Birds Eye View” (StoryProjects), “Racism Within” (SBS Australia), “Say Their Name” (DCP Entertainment), and “Bioneers Radio Series” (Bioneers).

To view the complete roster of 2022 Radio Awards categories, visit HERE.

2021 NYF Radio Grand Awards were I’m Not A Monster from BBC Panorama & FRONTLINE (BBC), The Hobbit, By J.R.R. Tolkien, Read by Andy Serkis (HarperCollins Publishers) and Weightless (DMC Studio Argentina). To view all the 2021 Radio Awards winners, visit HERE.

Molly Solomon, Executive Producer & President of NBC Olympics Production and Executive Producer for the Golf Channel received the 2021 Lifetime Achievement Award.

The BBC earned the Broadcaster of the Year Award and TBI Media UK earned the title of Production Company of the Year.

Although the 2021 in-person NAB Show was cancelled due to pandemic quarantine restrictions, NYF pivoted with a 90-minute virtual ceremony Storytellers Gala featuring highlights and acceptances from 100 winning teams of men and women coming from their homes in 40+ countries.

The 2022 Storytellers Gala will take place at the annual NAB Show in Las Vegas on April 26, 2022. This is the twelfth year of NYF’s strategic partnership with NAB Show. All NYF Radio Award winners have access to the multi-day event which is the world’s largest global gathering for the media and entertainment industry.

For the second year in a row, New York Festivals welcomes JusticeAid, an organization that promotes justice through the arts and public engagement, as a partner.

The NYF Radio Awards receives entries from radio stations, networks, and independent producers from over 30 countries around the globe. The mission of the competition is to honor the achievements of the men and women who make up the global audio storytelling community. To view the 2021 winner’s Gallery, visit: HERE.

New York Festivals invites award-winning industry leaders from around the world to become members of their world-class Radio Awards Grand Jury. The 2022 Grand jury will be set in the coming months. Those jurors will include some of the most world’s recognizable voices and captivating content producers in the radio industry. Entries are judged on production values, organization, presentation of information, creativity, and use of the medium.

All Entries in the 2022 competition will be judged online by NYF’s Radio Awards Grand Jury of 200+ producers, directors, writers, and other creative media professionals from around the globe. Award-winning entries will be showcased on the Radio Awards winners gallery.

The deadline to enter the 2022 Radio Awards competition is February 9, 2022.